When I first saw Jurassic Park, I wanted to be an animator. It was only after I learned more about the process of making a T-Rex come to life that I realized compositing was critical in that process, and the craft that I wanted to dedicate my career to. 

I'm now a Compositing Supervisor at Blur Studio with 17 years of industry experience working in commercials, episodic, game cinematics, and feature film. For me, compositing combined all of things that I was interested in, from engineering and optics, to art and photography.

This mentorship is meant to introduce you to Compositing, what we do, and hopefully inspire you to consider this craft as you navigate the ever evolving landscape of VFX and Animation. Please come prepared with lots of questions!