Based in Tokyo from Mexico City, Omar Espinosa is a full time Pokémon trainer and in his spare time he is fiddling with shader graphs, particle systems, lighting shots and environments, everything while figuring out how to keep a balance between the art and engineering requirements without sacrificing the frame rate.

Passionate about novel visual expressions, stylized rendering, anime impact frames and procedural workflows to help productions achieve its artistic intent to its fullest. Currently leading a group of brilliant technical artists at UNSEEN, where the first studio's game, KEMURI is being produced. 

Responsible for the ACES integration in RE Engine for CAPCOM, competitor on the 82nd edition of the Venice International Film festival, pioneer of game development in Mexico and avid Magic The Gathering player.

Colouring pixels with love since 2010.