The Last Sentinel (AAA) - Owned cinematic shots from initial motion capture through to final animation, refining body mechanics, acting and facial performance to cinematic quality. Supported new animators in getting up to speed with the production pipeline and workflows.

Created high-end creature and character animation for feature films and TV, specialising in keyframe performance, body mechanics, acting, and cinematic storytelling. Collaborated with directors, supervisors, and cross-disciplinary teams to deliver compelling performances to the highest quality standards. Also refined motion capture animation where required and mentored new artists through ILM's Buddy Programme.

- Lost Ollie

- Life on our planet

- Napoleon

- Ant-Man and the Wasp

- The Marvels

- Star Wars: The Acolyte

- ABBA Voyage

- Jurassic World: Rebirth

- The Witcher

Worked at DNEG during the COVID lockdown on a highly technical production in a fully remote pipeline. Delivered a mix of keyframe creature animation and bipedal motion capture editing, refining performances and solving technical challenges across complex shots. Remote working made clear communication and close collaboration with animation, rigging, FX, and supervision essential to maintaining consistency and quality throughout the production.

- The Matrix Resurrections

Animated characters for an award-winning VR short film, creating performances that remained clear and engaging from every viewing angle. As part of a small, agile team, took on a significant workload across production, contributing to a project that received multiple industry awards.

- Glimpse - VR award winning short film

Volunteer tutor and mentor for aspiring animators through Animation Mentor, providing feedback, guidance, and structured critique on student work across performance animation, body mechanics, and acting. Focused on helping students strengthen their shot work, develop clearer performance choices, and build a solid understanding of animation principles in a production context. Supported learners through iterative feedback and practical advice drawn from professional feature animation experience.

Started my career at Framestore, contributing to major feature film productions at an early stage in my professional journey. It was a formative experience working on large-scale projects and seeing how high-end film production operates at the highest level of the industry. Being trusted to contribute to major movies so early on was both challenging and invaluable, helping me build strong foundations in professional standards, collaboration, and production workflows within a world-class VFX environment.

- Mowgli

- Alita: Battle Angel

- Pokemon: Detective Pikachu

- The Secret Garden

Practical training in game animation principles, covering locomotion, combat, animation cycles and transitions, with a focus on creating responsive character performances suitable for implementation in a real-time game pipeline.

Intensive training in character animation, progressing from core principles and body mechanics through advanced acting and performance, with a strong focus on posing, timing, weight, physicality and creating believable character-driven performances.

Undergraduate degree covering the principles and practice of animation, including character animation, drawing, design, storytelling and visual communication. Developed practical skills across traditional and digital animation techniques, with an emphasis on movement, timing, performance and creative project development.